Honestly, this is where the playing field changes significantly. Where things do differ is in what is available to you when you have recorded a piece of audio. So why isn’t it more widely used by musicians?Ĭonnecting external equipment, like audio interfaces or mixers, is the same as it would be in any other DAW, and the actual act of recording itself is no different. Why is that? When is a DAW not a DAW? After all, Audition provides you with a multitrack recording environment, with insanely detailed tools for audio manipulation and enhancement, and still to this day has one of the fastest workflows we’ve come across. Here’s the thing though Adobe Audition allows the user to do many of those same tasks, yet you’d struggle to find anyone who’d include it in a list of popular DAWs. From Ableton Live to Cubase, and from Pro Tools to Bitwig, each offers a broadly similar set of features allowing the recording, manipulation, editing and production of audio into a musical format. We’re all familiar with digital audio workstations ( DAWs).
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